Interpretation of Maus: Vladek Wearing a Mask

(panel 2 on page 64 of Maus by Art Spiegelman)

On page 64 of Art Spiegelman’s Maus is a scene of Vladek trying to get on a train by pretending to be Polish. The panel is shaped as a circle, a motif which in class we have interpreted to represent the wheel of Vladek’s bicycle and a cycle back into his memories. The circle, however, can also represent the round spectacles that Vladek is wearing in the present time. Just like his glass eye, the lenses also signify how Vladek’s view of the world is largely shaped by his past memories in Poland.

As this panel shows Vladek viewing his memories through the circular lenses, it also parallels with the page’s focus of how racism creates bias. The train man, who was a Pole, only helped Vladek because he saw Vladek as another Pole. The circular lens represents how some view the world with “lenses” clouded by their racial prejudice. This flaw is highlighted especially because Maus focuses on the Holocaust, a catastrophe caused wholly by the twisted racism of Nazis.


Aside from the symbolism of glasses in the story, the circular panel also creates a metafictional effect reminding us readers that we are literally viewing and reading the story through fictional lenses that Spiegelman created for us. The framed lenses, in this case, are the panels and pages of the comic. By making Vladek wear a pig mask in the illustration, readers realize that if he literally wore a mask, it looks very obvious from the outside that his identity is fake. But the Pole could not distinguish Vladek from himself in terms of race, reminding the readers that even though portrayed differently in the story, humans are indeed one race. It also shows us how readers will never be able to see the entire picture of the Holocaust, which is made more mild with Spiegelman’s inclusion of animal allegory. By including this type of metafictional panel, Spiegelman reaches out to readers and makes them imagine the real story behind all the panels and attempts to fill the gap between fiction and the reality it portrays.


*side note* Hey, the symbol of lenses parallels with my blog name as well!

Comments

  1. I really like how you analyzed the frame of the panel! The whole connection with lenses/glasses and the metafictional effect was something that I hadn't even thought of. I also really enjoyed your last sentence; there's that concept of filling in gaps between fiction and reality. (your connection to your blog name was nice as well lol)

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